A-Live Music Venues
live music venues
abstract
A-Live Music Venues is a project aimed to foster the sustainability of live music venues in urban and non-urban areas with significant seasonal population imbalances.
By facilitating cross-venue cooperation and the temporary use of spaces, the project will develop strategies for ensuring year-round audience engagement and operational viability, including research, capacity building experiences and peer learning.
It is targeted to: 1. Live music venues in urban areas with significant seasonal population imbalances (particularly in small cities and suburbs) facing attendance and income challenges in summer months; and 2. Live music venues in non-urban areas with significant seasonal population imbalances (towns and villages) facing closing periods in winter months.
Name of the Entity: Wazo Sociedad Cooperativa
Country: ES – Spain
Strand: Strand A – 60k €
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Courts Circuits – experimenting slow-touring in electronic music
live music venues
abstract
COURTS CIRCUITS: promoting low-carbon and mutualised touring practices in electronic music.
In the face of climate change, the reduction of electronic music’s environmental impact is a priority. Mobility of audiences and artists accounts for 60% to 80% of an event carbon footprint (Impact CO₂, 2025). COURTS CIRCUITS offers a tangible answer decarbonize touring models through “artistic short circuits”.
Mobility, whether of audiences or artists, weighs heavily in the carbon balance of festive events. The most well-known DJs take an average of 52 flights per year, resulting in 33 tons of CO₂ emitted annually per artist: four times more than an average french person. Yet alternatives exist: the use of low-carbon transport could reduce the carbon footprint of an event by 25% (Le Collectif des Festivals, 2022).
The green transition needs to be co-constructed in line with the scene’s challenges. Change in practices cannot be achieved without involving all professionals in the sector and must take into account the economic realities specific to the electronic scene. The sector’s precariousness relies on the ability of artists to accept more and more gigs, sometimes at the expense of their carbon footprint. The inflation of production costs and often exorbitant train fares also slows down this transition. Added to this is the growing inequality between a handful of hyper-sollicitated international DJs with excessively high artistic fees, and the majority of artists who cannot live solely from their artistic income (85% according to 2021 Pirate Radio Survey). Finally, it is also necessary to determine who can drive this change without penalizing the most vulnerable or the least represented.
The “artistic short circuits” approach is based on shared programming between several promoters, the systematic use of low-carbon transport whenever possible, and an increased share of local artists being programmed. These practices could reduce the carbon footprint of an event by up to six times (Collectif des Festivals, 2022).
COURTS CIRCUITS: an ambitious experiment
Over three years, Courts Circuits will host three low-carbon tours featuring both emerging and more established artists from several European scenes, and co-constructed with partner venues. Cultural mediation activities will also be held to foster exchanges between visiting artists and local audiences. The first tour will take place in November and December 2025, featuring the French artist Vel, represented by the agency Mama Loves Ya which is already committed to address its environmental impact. COURTS CIRCUITS also foresees exchange sessions and workshops with professionals across France and Europe ; the design of a dedicated training course ; and the production of a study on programming practices in electronic music with VibeLab, a think tank specialized in nightlife issues.
COURTS CIRCUITS is led by Technopol, the french electronic music network, and in collaboration with DJs for Climate Action France, Music Declares Emergency France, and the Collectif des Festivals. As a laureate of the Alternatives Vertes Call for Projects, it is funded by the Government as part of #France2030, designed in connection with the General Secretariat for Investment and the Ministry of Culture, and operated by the Banque des Territoires on behalf of the State. The project also benefits from the support of the European Commission through its LiveMX program.
Name of the Entity: Technopol Techno Parade
Country: FR – France
Strand: Strand B – 40k €
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Dance Floor Sensibile
live music venues
Abstract
Dance Floor Sensible is a European project created by Frega Project with the aim of radically transforming the clubbing scene to make it truly accessible, inclusive, and sustainable. In many European cities, people with disabilities are still excluded from nightlife due to architectural, social, and cultural barriers. This project challenges that exclusion by reclaiming the right for everyone to enjoy music, social life, and cultural participation, without obstacles.
The initiative takes a concrete, multidisciplinary approach: clubs will undergo accessibility audits and receive tailored “Starter Packs” including practical tools like ramps, tactile pathways, accessible restrooms, and chill-out zones. Staff and organizers will be trained through dedicated workshops to foster inclusive mindsets. Inclusive techno events will be organized in adapted venues, featuring performances by both disabled and non-disabled artists.
A central tool will be the launch of Club Advisor, a digital platform that maps accessible and sustainable venues across Europe, allowing users to identify safe and welcoming nightlife spaces.
The project will start in five pilot cities Madrid, Parma, Cologne, Berlin, Brussels and other, but its ambition goes far beyond: the goal is to expand to many other European cities and countries, creating a broad, cross-border network of inclusive venues and setting a new standard for club culture across the continent.
Running for 12 months, the project unfolds in five phases, ending with public events, a short documentary, the release of training materials, and a final impact report. All events will be free to attend, ensuring that economic barriers don’t limit participation.
Dance Floor Sensible is more than a technical project it is a cultural and political statement. It shifts the narrative from “disabled person” to “inaccessible space,” affirming that exclusion is caused by environments, not individuals. With a diverse and committed team including people with disabilities, queer activists, accessibility experts, and cultural professionals this project proves that a new, fairer, and more human clubbing culture is not only possible, but urgently needed. And that it can and should begin right here in Europe.
Name of the Entity: Frega Project Associazione Di Promozione Sociale
Country: IT – Italy
Strand: Strand A – 60k €
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DJ LAB PRO
music export
Abstract
DJ LAB PRO is more than a mentoring program — it’s a launchpad for emerging DJs from Central, Eastern, Southeastern, and Baltic Europe. These regions, rich in creativity, are often overlooked by the global electronic music scene. DJ LAB PRO was born out of the belief that talent doesn’t just reside in capital cities and that access to opportunity should be more evenly distributed.
The program begins with an innovative quiz-based selection process, rooted in Scorecard methodology. From this, 12 DJs are chosen not only for their mixing skills but for their artistic vision and potential for growth. Each receives a personalized development report — a roadmap for creative and professional advancement.
These participants then take part in a bootcamp at Carbon Silesia Festival in Poland. This is not only a technical workshop but an intensive experience covering branding, safety, community-building, and self-leadership. The DJs then perform on the festival’s first dedicated electronic music showcase stage, gaining exposure to audiences and key industry professionals.
But DJ LAB PRO doesn’t end at the stage. The journey continues with a structured online mentorship phase, including one-on-one guidance, expert-led webinars, and a supportive peer network. The goal is not instant fame, but long-term, self-defined success.
Eastern European Music Academy
music export
ABSTRACT
The Eastern European Music Academy (EEMA) is a hybrid capacity-building initiative designed to support independent music professionals, such as artists, producers, and managers from Eastern, Central, and Baltic Europe. Its primary goal is to enhance participants’ competitiveness in the international music industry through education, networking, and practical experience.
Duration & Format: EEMA offers a 12-week hybrid course combining weekly online classes and expert consultations.
Eligibility: Open to young music professionals from countries including Czechia, Estonia, Hungary, Latvia, Lithuania, Moldova, Poland, Romania, Slovakia, and Ukraine.
Curriculum: Led by internationally recognized experts, the program covers topics such as music management, project planning, copyright, booking, live performance strategies, promotion, distribution, and fundraising.
Networking Opportunities: Beyond the virtual classroom, EEMA fosters connections among peers and industry leaders across the region. The top 15 participants are invited to attend a key international event in the European music business calendar.
Founded in 2020 by Music Export Ukraine, EEMA collaborates with partners like RAW Music (Romania) and LALA Slovak Music Export (Slovakia).
Name of the Entity: Music Export Ukraine
Country: UA – Ukraine
Strand: Strand A – 60k €
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Europe Venue Exchange
live music venues
abstract
This project tackles key challenges in the European live music sector by promoting artist circulation, ecological efficiency, and innovative audience engagement through collaborative approaches. It creates a dynamic platform for music venue professionals to exchange expertise in programming international artists, implementing sustainable practices, and developing strategies to attract diverse audiences. The initiative enhances operational efficiency and sustainability while fostering vibrant cultural experiences across Europe. Activities include a staff exchange program where professionals visit different venues to share knowledge and practices, workshops and training sessions led by experts focusing on ecological solutions, marketing innovation, and audience experience, and collaborative projects that develop new engagement techniques and adapt ecological strategies to specific contexts. An evaluation and feedback system ensures continuous improvement and measurable impact. By combining knowledge exchange, practical training, and joint projects, the program strengthens the network of European music venues, supports environmental responsibility, and builds stronger connections with audiences. This integrated approach not only improves venue operations but also contributes to a more sustainable and inclusive music ecosystem, creating opportunities for cultural diversity and innovation while reinforcing the role of live music as a driver of community and creativity.
Equity Kit
live music venues
abstract
The Equity Kit is a groundbreaking initiative led by the Brussels-based non-profit Les Volumineuses, designed to promote inclusion and equity in live music venues across Europe. Aimed at tackling structural discrimination in the cultural sector—particularly sexism, racism, ableism, and classism—the project offers a practical, modular toolbox to help venues become safer, more accessible, and more representative spaces.
Through the co-creation of customizable resources and training modules, the Equity Kit empowers venues to implement inclusive programming, anti-harassment policies, and equitable hiring practices. Its components include inclusive communication guides, templates for safer space protocols, the “Safer Rider” for artist safety, and interactive workshops on unconscious bias and accessibility.
The project’s objectives are threefold: to increase the visibility of minoritized artists, ensure safer environments for both audiences and performers and build capacity among venue staff. These goals are pursued through partnerships, workshops, and a pilot phase involving 5 to 10 cultural venues, culminating in a publicly accessible digital toolkit.
What sets the Equity Kit apart is its intersectional approach and commitment to co-creation with underrepresented communities. It responds to urgent needs in the music industry—where gender and racial disparities remain entrenched—by providing not only technical resources but also a replicable model for systemic change.
By aligning with European priorities on diversity and mobility, the Equity Kit serves as a scalable and adaptable solution for cultural operators across the continent, aiming to reshape the live music ecosystem into one that is truly inclusive, safe, and sustainable.
Name of the Entity: Les volumineuses asbl
Country: BE – Belgium
Strand: Strand A – 60k €
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European Artrepreneur Program
digital circulation and engagement
abstract
The ArtIncubator Program empowers European music and digital creators to turn their artistic vision into sustainable careers in the digital age. Developed by Samba Rock and supported by LIVEMX, the initiative connects creativity with technology and entrepreneurship, helping artists master digital circulation, audience engagement, and AI-driven tools.
At a time when technology and artificial intelligence redefine music creation and distribution, many independent artists struggle to navigate the fast-changing digital landscape. The program addresses this challenge through a comprehensive incubation model that combines training, mentoring, and experimentation. Participants learn to use proven methodologies and digital tools for production, marketing, and audience growth, while gaining practical knowledge of monetization, intellectual property, and artrepreneurship.
Currently, the project is in full motion, activating partnerships, hosting open webinars, and open for applications for the next ArtIncubator cohort. Artists from across Europe are invited to apply and join a growing community that blends artistic creativity with entrepreneurial skills. The upcoming sessions will feature experts exploring topics such as digital distribution, audience engagement, sustainable career models, AI in music creation, data-driven decision-making, and more, giving participants practical insight and direct mentorship from leading professionals.
ArtIncubator is more than a program; it’s a collaborative movement for artists ready to thrive in the digital era. By fostering exchange, innovation, and inclusion, it aims to shape a new generation of European artrepreneurs, creative minds who understand both art and business, and who use technology to amplify culture, connect with audiences, and build lasting impact.
From screen to stage, stage to screen
digital circulation and engagement
abstract
From screen to stage, stage to screen—or the Academy project—marks Rose Association’s first step into European-focused initiatives. Building on its previous work, this project leverages the opportunity to expand its impact beyond local and national levels, addressing the challenge of digital circulation and engagement by equipping artists with the skills to master digital tools effectively, enhancing their artistic vision and audience impact. The project emphasizes supporting artists who are at the forefront of generating engagement, addressing the root cause of this issue—digital illiteracy. Many emerging artists struggle to adapt their creative processes to a transmedia perspective, limiting their ability to engage audiences across multiple platforms. Additionally, strong exposure on social media does not guarantee virtuous career development based on stage experience. By bridging the gap between virtual and physical spaces, the Academy project aims to cultivate a deeper understanding of how digital presence and live performances complement each other, fostering a balanced approach that integrates both for sustainable career growth.
Name of the Entity: ASSOCIATION ROSE
Country: FR – France
Strand: Strand A – 60k €
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K-Pop Connection
music export
abstract
K-Pop Connection is a unique international songwriting camp focused on creating original music for the Korean sync market—from dramas and variety shows to streaming platforms. Held in Czechia from November 1-7, the camp will bring together 20–24 professional songwriters from across Europe and Korea for five days of intensive, cross-cultural collaboration.
Organized by Song Asia and supported by Music Finland, SoundCzech, and Songwriting CZ, the camp connects top creative minds—songwriters, producers, and music professionals—with Korean media companies. Participants co-write songs based on active project briefs provided by music supervisors, A&Rs, and producers from leading entertainment firms.
Unlike traditional pop camps, K-Pop Connection targets the fast-growing but underexplored sync segment of the Korean music industry. Writers work directly from real briefs to create polished, market-ready songs. These songs are presented during a final listening session in Prague attended by Korean and European industry guests.
The camp also includes a livestreamed seminar and panel discussion, open to the public, offering insights into the Korean sync market and strategies for international entry. After the camp, all songs will be actively pitched to major Korean broadcasters and media studios.
K-Pop Connection is designed to sharpen participants’ skills in writing for Korean media, open new professional networks, and generate real opportunities for song placement. It is a launchpad for long-term international collaboration and a model for future songwriter-export initiatives.
LIVEMK – building up community of live music and regional cooperation
live music venues
abstract
LIVEMK will revolutionize North Macedonia’s live music scene by forging a dynamic ecosystem that unites pop, rock and jazz venues, artists and audiences on one digital platform. In its first year, the project will integrate most of the country’s live-music spaces—clubs, cafés and concert halls—creating a close-knit network that shares resources, co-produces events and amplifies collective promotion. By project’s end, we aim to reach 90% participation, ensuring every stage from Skopje to Struga,Tetova, Strumica, Ohri … benefits from this collaborative framework.
Targeted marketing campaigns and platform features—such as personalized event recommendations and interactive fan engagement tools—will attract new audience segments, boost attendance and deepen fan loyalty. Simultaneously, hands-on workshops, mentorship programs and peer-learning forums will equip venue managers and musicians with the skills to innovate, grow their businesses and elevate artistic standards.
To drive lasting impact, two flagship programs—a nationwide festival series and an international exchange—will spotlight homegrown talent and cultural collaboration. Comprehensive mapping and real-time analytics will yield actionable insights for strategic investments and future innovation. By pioneering a tech-enabled, community-driven model, LIVEMK will transform a disjointed ecosystem into a sustainable, high-visibility platform—empowering venues, artists and audiences to write the next chapter in the region’s live-music story.
Mexico NO/IS/FO
music export
abstract
The joint pilot project by Faroe Music Export, Iceland Music, and Music Norway addresses the critical challenge of transforming theoretical knowledge and contacts from trade missions into actionable strategies for successfully entering the Mexican music market. The primary objective is to create a structured, practical framework for Nordic acts to establish a sustainable presence in Mexico by leveraging a comprehensive PR and marketing campaign, hosting initial shows, participating in festivals, and ultimately headlining larger
venues.
Open MusicTech Database for Discoverability (OMD2)
digital circulation and engagement
abstract
Music Tech Hub (MTH), with the support of LIVEMX and as a project co-funded by the European Union, is developing the first European Open MusicTech Database for Discoverability (OMD2), creating an accessible and comprehensive common digital platform of existing European musictech solutions, covering all needs for music export, as gig management, marketing, promotional, booking, data access and networking.
OMD2 aims to serve as a bridge, connecting stakeholders and fostering synergies. The database will highlight the practical results of the work of European musictech entrepreneurs, in all their diversity, and connect it with the musicians, managers, live music professionals, and music export offices who can implement these solutions to boost their music export needs and add a higher value to their work.
Name of the Entity: Associació Barcelona Music Tech Hub
Country: ES – Spain
Strand: Strand A – 60k €
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Pro Weekend Campus
Music export
abstract
Pro Weekend Campus (Get Ready to Export), is a training project for emerging bands.
4 bands from 4 European countries, carefully selected, will work for 10 months both online and in person on the fundamental aspects of a music band with the aim of being prepared to export their music and performances to other countries. And not only that, it will also train and encourage musical co-creation between bands from different countries of the European Union as a fundamental tool to create bridges between musicians and countries.
A team made up of 4 mentors from 4 countries of the European Union, with 1 Campus coordinator and 3 mentors from specific training fields, all of them with proven prestige and level, make up the Pro Weekend Campus training team.
The entire Pro Weekend Campus experience is designed to maximize collaboration between the different member countries.
Resonance: Elevating Armenia’s Live Music Venues
live music venues
abstract
The proposed project seeks to elevate the standards and capacities of live music venues in Armenia, focusing on technical, managerial, and artistic excellence. It addresses the pressing challenge of underdeveloped venue infrastructure and the need for enhanced skills among professionals working in the live music sector—including venue operators, technical teams, and artists. The goal is to provide these professionals with the tools, skills, and opportunities needed to create innovative, engaging, and sustainable live music experiences.
The Arno Babajanyan Concert Hall in Yerevan will serve as the central hub for all activities, leveraging its key role in Armenia’s cultural landscape. The initiative also aims to foster stronger ties with the European music scene, positioning Armenia as a significant contributor to the international live music ecosystem.
Objectives:
Capacity Building: Equip professionals with advanced skills in sound, lighting, and event production.
Peer Learning: Facilitate knowledge exchange with European counterparts.
Innovation in Programming: Encourage creative programming and audience engagement strategies.
Sustainability Practices: Promote eco-friendly and energy-efficient approaches.
European Integration: Strengthen ties between Armenian venues and European cultural networks.
Key Activities:
Training and Workshops – covering sound engineering, lighting design, stage management, ticketing, audience development, marketing, sponsorship, and sustainability.
Peer Learning Sessions – roundtables, case studies, and live demonstrations with European and local experts.
Networking Events – venue exchange programs and industry meetups.
Artistic Collaboration and Showcase – artist residencies and live concerts featuring co-created works.
Resource Development – creation of a Best Practices Toolkit and an online learning platform.
Expected Outcomes:
Professionals with improved technical, managerial, and creative skills.
Armenian venues operating with innovative and sustainable practices.
Stronger networks with European live music professionals.
Enriched and engaging live music experiences for Armenian audiences.
Ride the Vibe
live music venues
abstract
Ride the Vibe is an innovative, sustainability-focused European initiative aiming to link cycling culture with live music venues, especially targeting venues located in suburban areas with limited accessibility. The project addresses ecological and social challenges by promoting environmentally friendly transportation methods to reduce carbon emissions and enhance the accessibility of music venues. It also seeks to build communities through combining active transport with live music culture, encouraging a healthier lifestyle among participants. Led by Dürer Kert in Hungary and supported by organizations from Estonia and Albania, Ride the Vibe promotes interdisciplinary collaboration between the music and cycling sectors through dialogue, experimental events, and practical guidelines. The main activities include expert roundtable discussions on bicycle-friendly venue operations, a high-profile “Pedal to Music” festival featuring a cycling parade, live concerts, family-friendly activities, and professional forums to strengthen connections within communities and sectors. Additionally, the project will produce a comprehensive guide showcasing case studies, practical recommendations, and adaptable cooperation models. The project’s European added value lies in its scalability and the sharing of best practices, setting a replicable model particularly relevant for regions with underdeveloped cycling infrastructure. Ultimately, the project aspires to foster sustainable, inclusive, and vibrant cultural communities across Europe.
Name of the Entity: Dürer-part Korlátolt Felelősségű Társaság
Country: HU – Hungary
Strand: Strand A – 60k €
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Sonic Writing Camps
Music Export
abstract
Wisseloord Studios, one of Europe’s most iconic music institutions, launches SONIC Writing Camps—a transformative project aimed at empowering at least 100 women across Europe’s music sector over 12 months.
Through a series of four high-impact writing camps in the Netherlands (Hilversum), France (Paris), and Italy (Milan), SONIC leverages Wisseloord’s extensive international network and world-class facilities to deliver a unique blend of creative collaboration, professional training, and strategic music export support.
SONIC is more than a writing camp—it is a cross-border initiative to reshape the European music landscape through gender-inclusive co-creation, talent development, and visibility.
Name of the Entity: Wisseloord Studios
Country: NL – Netherlands
Strand: Strand A – 60k €
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Sounds from below
live music venues
abstract
This project aims to (re)open underground creative musical pathways within, from, and towards Southeastern Europe, particularly the Balkans, by fostering regional collaboration, inclusivity, and sustainability in the live music sector. Centered around unconventional venues—two located in former atomic shelters and one in the basement of the City Library—the initiative reimagines these architectural spaces as vibrant cultural hubs.
Spanning 12 months, the project includes three immersive field trips to Živa (New Belgrade), Defy Them (Pristina), and Club Pave (Sofia). Each visit combines guided venue tours, roundtable discussions with cultural workers, artist and venue staff workshops, and genre-spanning live performances that blend local and international talent.
A cornerstone of the project is the creation of a shared platform for artists to perform and collaborate across borders. The Touring the Balkans guide/fanzine provides vital tools for artists and bookers navigating the region, offering insights into sustainable touring, local contacts, and regional cultural practices. This publication, distributed across Europe, promotes eco-conscious mobility through optimized travel routes and the reuse of existing spaces for cultural purposes.
By integrating artistic collaboration, ecological awareness, and community engagement, this project positions the Balkans as a cultural bridge. It highlights the power of music to transcend borders, create sustainable cultural networks, and inspire new narratives of shared experience across Europe and beyond.
Name of the Entity: U.G. “Kondenzator”
Country: RS – Serbia
Strand: Strand A – 60k €
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sounds rights
live music venues
abstract
Sounds Rights is a project created by Note Legali (Italy) – in collaboration with KeepOn Live – to tackle one of the most urgent challenges in the live music world: the lack of accessible, hands-on training on music rights, contracts, ticketing, taxation, and social security.
Through an innovative and inclusive training program — combining online sessions, in-person meetings, and a free digital guide — the project provides venue managers, organizers, and music professionals with practical tools to understand the fundamental rights that shape the music system, navigate regulations, and build new skills and best practices.
The goal? To foster fairer collaborations between artists and live venues and to build a more transparent and sustainable music ecosystem.
The project involves 30 live music venues and over 40 professionals across Italy, selected through an open call, creating a replicable and scalable pilot model at the European level. With its dedicated digital platform, Sounds Rights makes training simple, accessible, and inclusive, promoting fairness and equal opportunities.
At the heart of it all lies a simple belief: knowing your rights means expanding opportunities and building a fairer, more sustainable live music scene — for venues, for artists, for music.
Sounds Rights – fair live, fair values.
WAVMAP
music export
abstract
WAVMAP seeks to create new opportunities for cross-border co-creation and business development for artists, producers, and professionals from Creative Europe Participating Countries. The project aims to design an interactive map to visualize the geographic locations and music genres of electronic music artists, collectives and labels across Europe. It particularly targets artists and professionals from niche genres within bass music, UK dance, and new club scenes—genres that currently lack the infrastructure and opportunities available to more established styles like techno and house.
Aligned with the European Music Export Strategy (EMES), WAVMAP addresses two key dimensions: Capacity Building and Cross-Border Collaboration. The project provides music exporters with valuable market insights and knowledge, helping them strengthen their international presence. It also contributes to artist mobility, music promotion, distribution, and EU-level networking by connecting emerging artists and professionals who may not have otherwise collaborated.
Users will be able to search for specific genres, cities, or artists using filters, making it easier to identify potential collaborators or performance opportunities. By mapping niche music scenes and their spatial distribution, WAVMAP provides music exporters with knowledge about markets across Europe, helps them identify new opportunities in unexpected places, and serves as a first step into future collaboration.
WAVMAP is designed to support two primary groups: independent producers and DJs looking to promote their music internationally and collaborate with like-minded artists, and bookers searching for genre-specific live performance opportunities abroad. The project directly addresses three key challenges within the electronic music ecosystem: 1) the economic risks associated with international bookings for emerging artists, 2) the growing potential for co-creation through digital tools, and 3) the reliance of emerging producers on DJs for music promotion. WAVMAP empowers producers to expand their music promotion networks, provides bookers with valuable insights into less-explored cities for live performances, and fosters cross-border co-creation beyond the major electronic music hubs. By doing so, WAVMAP not only helps bridge geographical gaps but also supports more inclusive, sustainable, and collaborative music practices across Europe.
In the pilot phase of the project (April ‘25 – March ‘26), our goal is to include 50 cities and 30 electronic music (sub)genres across Europe. To measure the impact of the project and to ensure continuous improvement, we will conduct a series of surveys with electronic music exporters—artists, promoters, and bookers—throughout the implementation phase. These surveys will assess the usability of the map, user satisfaction, and its effectiveness in helping users connect for collaborations and live performances. In addition, we will track user engagement metrics, such as map interactions and the number of collaborations initiated, to further evaluate the tool’s success. Feedback from these surveys and data points will inform adjustments to the tool’s functionality and help shape the expansion and scalability of the project beyond the pilot phase.
With this project, we want to foster both technological and artistic innovation, but also aim to promote social transformation in the music scene. We place strong emphasis on the diverse and inclusive character of the project, ensuring that the team and all stakeholders reflect and advocate for these values.